Shakespeare Biography
William Shakespeare (baptised 26 April 1564; died 23 April 1616)] was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others.
Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.
Many of his plays were published in editions of varying quality and accuracy during his lifetime. In 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's.
Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the 19th century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry".In the 20th century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world.
Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others.
Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.
Many of his plays were published in editions of varying quality and accuracy during his lifetime. In 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's.
Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the 19th century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry".In the 20th century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world.
Works
Comedies
All's Well That Ends Well‡
As You Like It
The Comedy of Errors
Love's Labour's Lost
Measure for Measure‡
The Merchant of Venice
The Merry Wives of Windsor
A Midsummer Night's Dream
Much Ado About Nothing
Pericles, Prince of Tyre*†
The Taming of the Shrew
The Tempest*
Twelfth Night
The Two Gentlemen of Verona
The Two Noble Kinsmen*†
The Winter's Tale*
Histories
King John
Richard II
Henry IV, Part 1
Henry IV, Part 2
Henry V
Henry VI, Part 1†
Henry VI, Part 2
Henry VI, Part 3
Richard III
Henry VIII†
Tragedies
Romeo and Juliet
Coriolanus
Titus Andronicus†
Timon of Athens†
Julius Caesar
Macbeth†
Hamlet
Troilus and Cressida‡
King Lear
Othello
Antony and Cleopatra
Cymbeline
Poems
Shakespeare's sonnets
Venus and Adonis
The Rape of Lucrece
The Passionate Pilgrim[nb 5]
The Phoenix and the Turtle
A Lover's Complaint
Lost plays
Love's Labour's Won
Cardenio†
Apocrypha
Main article: Shakespeare Apocrypha
Arden of Faversham
The Birth of Merlin
Edward III
Locrine
The London Prodigal
The Puritan
The Second Maiden's Tragedy
Sir John Oldcastle
Thomas Lord Cromwell
A Yorkshire Tragedy
Sir Thomas More
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other contents of Shakespeare
Topic | Title | Replies | Views |
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Language | |
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Poesia Consagrada/Sonnet | Sonnet 12: When I do count the clock that tells the time | 0 | 7.100 | 07/12/2011 - 01:13 | English | |
Poesia Consagrada/Sonnet | Sonnet 119: What potions have I drunk of Siren tears | 0 | 4.951 | 07/12/2011 - 01:12 | English | |
Poesia Consagrada/Sonnet | Sonnet 118: Like as to make our appetite more keen | 0 | 4.335 | 07/12/2011 - 01:09 | English | |
Poesia Consagrada/Sonnet | Sonnet 116: Let me not to the marriage of true minds | 0 | 4.721 | 07/12/2011 - 01:07 | English | |
Poesia Consagrada/Sonnet | Sonnet 115: Those lines that I before have writ do lie | 0 | 4.668 | 07/12/2011 - 01:06 | English | |
Poesia Consagrada/Sonnet | Sonnet 114: Or whether doth my mind, being crowned with you | 0 | 4.913 | 07/12/2011 - 01:05 | English | |
Poesia Consagrada/Sonnet | Sonnet 113: Since I left you, mine eye is in my mind | 0 | 4.315 | 07/12/2011 - 01:04 | English | |
Poesia Consagrada/Sonnet | Sonnet 112: Your love and pity doth th' impression fill | 0 | 4.462 | 07/12/2011 - 01:02 | English | |
Poesia Consagrada/Sonnet | Sonnet 111: O, for my sake do you with Fortune chide | 0 | 4.134 | 07/12/2011 - 01:01 | English | |
Poesia Consagrada/Sonnet | Sonnet 110: Alas, 'tis true, I have gone here and there | 0 | 4.970 | 07/12/2011 - 00:59 | English | |
Poesia Consagrada/Sonnet | Sonnet 11: As fast as thou shalt wane, so fast thou grow'st | 0 | 5.326 | 07/12/2011 - 00:58 | English | |
Poesia Consagrada/Sonnet | Sonnet 109: O, never say that I was false of heart | 0 | 5.546 | 07/12/2011 - 00:57 | English | |
Poesia Consagrada/Sonnet | Sonnet 108: What's in the brain that ink may character | 0 | 4.496 | 07/12/2011 - 00:57 | English | |
Poesia Consagrada/Sonnet | Sonnet 107: Not mine own fears, nor the prophetic soul | 0 | 4.642 | 07/12/2011 - 00:56 | English | |
Poesia Consagrada/Sonnet | Sonnet 106: When in the chronicle of wasted time | 0 | 4.833 | 07/12/2011 - 00:54 | English | |
Poesia Consagrada/Sonnet | Sonnet 105: Let not my love be called idolatry | 0 | 5.300 | 07/12/2011 - 00:53 | English | |
Poesia Consagrada/Sonnet | Sonnet 104: To me, fair friend, you never can be old | 0 | 5.083 | 07/12/2011 - 00:53 | English | |
Poesia Consagrada/Sonnet | Sonnet 103: Alack, what poverty my Muse brings forth | 0 | 4.890 | 07/12/2011 - 00:52 | English | |
Poesia Consagrada/Sonnet | Sonnet 102: My love is strengthened, though more weak in seeming | 0 | 4.190 | 07/12/2011 - 00:50 | English | |
Poesia Consagrada/Sonnet | Sonnet 101: O truant Muse, what shall be thy amends | 0 | 4.969 | 07/12/2011 - 00:43 | English | |
Poesia Consagrada/General | Sonnet 100: Where art thou, Muse, that thou forget'st so long | 0 | 4.979 | 07/12/2011 - 00:42 | English | |
Poesia Consagrada/Sonnet | Sonnet 10: For shame, deny that thou bear'st love to any | 0 | 4.556 | 07/12/2011 - 00:40 | English | |
Poesia Consagrada/Sonnet | Sonnet 1 | 0 | 4.925 | 07/12/2011 - 00:38 | English | |
Poesia Consagrada/Sonnet | Sonet LIV | 0 | 4.987 | 07/12/2011 - 00:37 | English | |
Poesia Consagrada/General | Silvia | 0 | 5.385 | 07/12/2011 - 00:36 | English |
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